Animism, vol. 1, ed. Anselm Franke,Sternberg Press, 2010.

Woman Waiting for the Moon to Rise, Shoen Uemura,1944.

The beauty of women has long been a favorite subject for many artists. For example, during the Heian Period (794-1185), beautiful women were often depicted on picture scrolls, and in the Edo Period (1603-1867) they were seen in ukiyo-e (Japanese-genre paintings and prints). It was not until the Meiji Era (1868-1912), however, that bijin-ga (painting […]

Korean Bench, Pigment on silk, Framed 153.0 × 209.0 cm, Tsuchida Bakusen,1933.

A woman sits on a bench while another stands next to her. They are painted in suppressed tones with a white color scheme, which is a departure from Korean traditions. The horizontal lines of the bench and the diagonal line extending from the tops of the women’s heads to the mirror create a triangle, and […]

Elevator III, Acrylic, iridescent and metal pigments on linen, Allison Katz, 2021.

Untitled (Reaper Drone), Trevor Paglen, 2015.

Extended Operations XWB, Marble, honeycomb panel, carpet, emergency floor path system, stage element, each: 60 x 210 x 70 cm, Yngve Holen, Neue Alte Brücke, Frankfurt am Main, 2014.

Dump, Painted bronze, 45.4 × 53 × 47 cm, Gavin Turk, 2004.

Chair, Design by Wim Den Boon & Joop Rutjes, 1958.

Alfred Leslie: Abstraction 1951 – 1962, Graphic Design by Ernesto Aparicio, Allan Stone Projects, NYC, 2015.

Hautraum am Kranen, Heidi Bucher, 1981.

Bodyshells, Venice Beach, Heidi Bucher, 1972.

Not Yet Titled, Pleated bronze, Alma Allen, 2020.

Exhibition Catalogue, Exhibition of Modern Brazilian Paintings, Royal Academy of Art, London, 1944.

In Memory of My Feelings – Frank O’Hara, Oil on canvas with objects, Jasper Johns, 1961.

His boundless world of flowers and form by Sofu Teshigahara, Photography by Ken Domon, 1966.

Room 43, The Hotel series, Photography by Sophie Calle, 1981.

The Chinati Foundation, Marfa, 1987.

Volume introducing Donald Judd’s immense public museum project in Marfa, Texas. Features texts from Judd, William C. Agee, and numerous photographs of the Foundation’s permanent installations. Included with this copy are three pieces of ephemera: a small map of Texas, an invitation to an open house and dinner on October 8, 1988, and a corresponding […]

Construct, Sculpture & Photography by Theo De Gueltzl, 2020.

Moonlight Cove, Oil on canvas, Albert Pinkham Ryder, 1880.

Untitled, Photography by Camille Vivier, Set design by Sophie Glasser, Hèrmes, 2020.

Untitled Chair, Nicole Wermers, 2015.

Snow Flurry, Sheet metal, wire and paint, Alexander Calder, 1948.

Exorcism of the Last Painting I Ever Made, Tracey Emin, 1996.

Prometheus, Gelatin Silver Print, Costantin Brancusi, 1926 – 29.